• "Under Hannah Wolf’s incisive direction....Every great play should get as great a production as the Fountain is giving Last Summer At Bluefish Cove."

    Steven Stanley- Stage Scene LA

  • "Director Hannah Wolf...clearly understands the fabric of the script, the relationships between the women, which is the crux of the project. It’s character-driven and she allows them to shine."

    Harker Jones, Broadway World

  • "...well-written, superbly directed and performed production which cannot fail to entertain."

    Elaine Mura, Splash Magazines

  • "The results show what happens when a director pays careful attention to details and creates a poignant and touching production."

    Joe Mosqueda, Glamgical

  • "Wolf's production is visually arresting, full of moments of striking staging containing visual imagery that will remain with you long after the performance."

    (Broadway World)

  • "Together with a committed cast of all-in actors and a dream team of designers, director Hannah Wolf successfully proves that reframing and commenting upon history can be as simple as switching out the storytellers."

    (Austin Chronicle)

  • "Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation of Stage Directors and Choreographers Society (SDC), today announced the recipient and four finalists for the 2022 Barbara Whitman Award."

    Broadway World

  • “This very strange two-year gap has really helped teach me how do you put your heart on stage, how do you put your guts on stage, how do you show a mirror to your audience,” Wolf said. “I just don’t have time or space to not be authentic.”

    Juneau Empire

  • "Whichever Alison is the focus of the action on stage — Mickelson as the relatively grounded observer, Fagerstrom as the bookish, self-righteous and recently smitten college student and McFarland as an indomitable child — feels like the most entertaining Alison to watch. Then, there’s a time jump, a laugh-out-loud song, and a switch in allegiances."

    Juneau Empire

  • "-the young audience cheers when Ride is selected into the NASA astronaut program, they help with the countdown of the space shuttle launch."

    (Sacremento News & Review)

  • "...director Hannah Wolf has crafted a nuanced, satirical, enraging piece of theater that is more timely in the era of "Me, Too" than ever before."

    (Austin American Statesman)

  • We the Women Collective Journal

    WE THE WOMEN in conversation with Kimberly Belflower and Hannah Wolf.

    We the Women Collective

  • "...with co-directors Arpita Mukherjee and Hannah Wolf, and director of selected filmed monologues Rahul Chitella, handling the different personalities of the cast and the online requirements perfectly. "

    West End Best Friend

  • "At its core, The Sky Game works because of its participatory nature....Thematic elements tying individual and collective power to the ability to exact change will strike a chord for those invested in community and movement-building work."

    (Triad City Beat)

  • "The World: Hannah Wolf's Home For Bold Theatre."

    (Romania Insider)